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Lloyd Barde Backroadsmusic.com 2006
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Libitum ad21music
In
dreams, there's no imagined thing that's too absurd, too strange.
Frequently Bruno's music comes from that inexhaustible source.
On ad Libitum, he creates atmospheres that take you inside
yourself.
This Argentine musician now lives and works in Spain, as does
Max Corbacho.
And his newest of half a dozen solo releases is an ambient
album of great beauty.
Like his popular Visualia Bruno uses more acoustic (sounding)
instruments
like piano and guitars, often reminiscent of fine film music.
There are also tracks on the album that are built from atmospheric
sounds that sound
a bit like the music of Steve Roach.
Other pieces are accompanied by a nice rhythm or a melancholic
piano track with a lot of reverberation.
This is an impressive and enjoyable CD by a very versatile
musicia
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Phil Derby Editor & Publisher
ElectroambientSpace 2006
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Libitum ad21music
What
a delicately striking album this is. Part dark electronic,
part new age, part soundtrack music, ad libitum all blends
together into a wonderful tapestry of sonic imagery. From
deep reverberating piano to lush atmospheric textures
to cool electronic grooves, each element is perfectly placed.
Hipnoide starts with the aforementioned piano, melancholy
and lovely in a Harold Budd sort of way,
simply gorgeous. Tympani is used to great effect in Intention,
enhanced by various synthetic touches, strings here,
percussion there. The quiet understated mood continues with
Devoción, dominated by piano, strings, and something
resembling
harpsichord. It is more orchestral than electronic, and quite
moving. Deceptive beauty is a soft ambient piece, with a
slowly breathing organic drone as its centerpiece; its title
could serve as a two-word review for ad libitum
in its entirety. Oniria is another piano-infused number, perhaps
the most delicate piece yet, intoxicating.
Oppio opts for sad tones that resemble oboe or perhaps bassoon.
Just when it seems the album has set a definitive path in
the direction of all things quiet and reflective,
two of the last three tracks challenge that just a bit.
Luminae Psicoactive leaves me grasping for words to describe
exactly its style and sound.
Though it sounds more acoustic than electronic, it reminds
me of the lush textures of the Cocteau Twin.
The title track adds tribal drums and occasional chants, and
then the disc closes
with perhaps my favorite, Lúdico.The coolest computerized
rhythmic groove is laid down, courtesy of Max Corbacho, and
Sanfilippo adds rich synth pads to perfectly enhance the proceedings.
Ad libitum is a breathtakingly beautiful and complete packag
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by Bert Strolenberg Journalist
E-dition Mag #8 The Netherlands 2005
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Libitum ad21music
The
new album features a certain feel of romance and infiniteness.
At times its quiet, but it can also grow out to beautiful
symphonic grandeur
like in the third track Devoción. Next to delicately
shaped soundscapes we also find environmental sounds, samples,
fxs and some intimate piano, which make up a nice atmosphere.
Sometimes it even gets a
bit dreamy and contemplative. The short title-track features
some chant and tribal rhythm.
But Bruno made the most impression on me with the strong closing
track Lúdico, which is
quite reminiscent to what Max Corbachos achieved on
his album Moontribe: pulsating rhythms
over drifting soundtextures. Recommended.
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by Andy Garibaldi
CD Services Feb 2005
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Libitum ad21music
From
Spain, and a close musical partner with similarly styled synthesist
Max Corbacho,
comes this latest release and, while it would be classed as
"space" or "cosmic" music,
it's really a good deal more varied than that term implies.
For a start, most of the tracks have melodies running through
them, or to be more accurate,
have a strong thematic and melodic content that sets them
apart as more than just space synth tracks.
From
tracks that have rhythms from acoustic and electric drums
and percussion to tracks that simply
soar and drift on layers of gorgeous synth landscapes, there's
a whole host of soundworlds on this 9 track,
fifty-three minute album.
Musically there are obvious hints of people like Roach, Vangelis
(the cosmic, spacey passages of Vangelis that is), Brennan
(in particular only more varied), but throughout it all, there's
both a warmth and a sensitive passion that resides at the
heart of the music, and makes it so enjoyable.
Whether,
rhythmic or floating, each track has that sheer quality of
existence that means you would be
hard pressed not to play all of this every time you sit down
to it. In short, essential listening.
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by
Paul Rijkens Dutch progressive rockmag
iO Pages The Netherlands 2004
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Libitum ad21music
I am very impressed by the CD Visualia of this Argentine musician
who lives and works in Spain.
Therefore I was very anxious to hear more of his work. Well, his
new album ad Libitum again has
become an ambientalbum of great beauty. Hipnoide opens the album
with calm but full and impressive pianosounds.
This runs into Intention where hypnotic percussion supports sultry
synthesizerparts.
In comparison to Visualia Bruno on this CD uses some more acoustic
(sounding) instruments like piano and guitars.
In the fine and melodic Devoción this can be heard very well.
This is almost filmmusic.
There are also some tracks on the album that are built up from very
beautiful atmospheric sounds,
like Deceptive Beauty, Oppio and Lúdico that sounds a bit
like the music of Steve Roach.
This piece is accompanied with a nice rhythm.
Oniria is a melancholic pianotrack with a lot of reverberation while
Luminae Psicoactive and the
titletrack could also serve as music for films. Again, this has
become an impressive CD of this versatile musician
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