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| There
is a clear connection between Ambessence and the previous Sanfilippo's
title Piano Textures. The floating, timeless quality of the piano notes is still here, but now the effect is more intense with Grassow's textures couched in subtle drones. Moments of irresistible beauty silently vibrate and resonate inside, opening a vast inner space of clarity and spiritual emotion. This work seems to require an intuitive mode of perception that seeks to overcome chaotic multiplicity and establish contact with a deep and authentic unifying essence. Beneath the calm waves of Ambessence lies the promise of bliss. by Marius-Christian Burcea - RFI Romania 2008 This
release from 2008 offers 62 minutes of cerebral piano tunes seasoned
Meanwhile,
the electronics bestow an airy disposition on the tuneage. Yet
there are instances where the textural atmospherics move beyond
their fragility and attain a notable substantiality, sometimes rivaling
the piano’s lilting occupancy. Qué sucede cuando dos de los grandes nombres del panorama del ambient actual se unen? Pues la creación de un fantástico trabajo como es "Ambessence Piano & Drones". Bruno Sanfilippo que nos había deleitado con su anterior disco "Piano Textures" se úne a Mathias Grassow para crear este trabajo donde el título ya nos indica que es lo que nos vamos a encontrar. Este disco es una perfecta sincronización de los delicados sonidos de piano creados por Bruno Sanfilippo con los inconfundibles drones de Mathias Grassow. El sonido de Bruno se ha vuelto delicado, inconfudible, las notas de su piano nos embriagan y se apoderan de nosotros, con su dulzura, con su temple y la unión con Mathias ha dado lugar a un trabajo de esos que hay que disfrutar tranquilamente, sentados en el sillón y dejando que sus notas se vayan apoderando poco a poco de nosotros. Como nos indican los propios compositores, este es un disco para escuchar a un volumen moderado y es que este es un disco para relajarnos, para disfrutar de sus sonidos, dejar que poco a poco se apoderen de nosotros y nos embriaguen para sumergirnos en un lugar de ensueño del cual no queremos salir. por Roberto Vales - A Ultima Fronteira - España 2008 Piano Textures was the fitting title of the last solorecord by the Argentine multi-instrumentalist Bruno Sanfilippo who lives and works in Spain. This album was awarded a "Tip" in iO Pages #74. It contained wonderful calm pianosounds with a atmospheric background. Music, that looks rather simple but has a stunning beauty, as is the fact with a lot of ambient music. On Ambessence, Piano & Drones, Sanfilippo works with a musical kindred congenial from Germany, Mathias Grassow. He is an experienced electronic/ambientmusician. Sanfilippo plays the "Old Lady Grand Piano" (a sampled model 1923 Steinway D, that he also used on Piano Textures) and Grassow "Neuronal V-Synth Drones" and other instruments. This collaboration again results in a great piece of soft, intense music. It is divided into seven parts. Grassow produced very intriguing calm atmospheres (soundscapes, choirs) and Sanfilippo plays loosened and relaxed on top of these sounds. This results in some extremely fine moments as in the parts 1, 5, 6 and 7. The last track could also be used as filmmusic. Sometimes I hear a hint to the albums that Harold Budd and Brian Eno produced together. This is excellent music to be played on a rather quiet moment of the day, especially late in the evening. This disc than should, as the gentlemen recommend, be listened at a moderate volume. I hadn't planned it otherwise. by Paul Rijkens - Dutch progressive rockmagazine iO Pages. 2008 After his introspective solo album “Piano Textures”, Argentinean composer Bruno Sanfilippo collaborated with German ambient musician Mathias Grassow to create the transparent, sedate soundings of “Ambessence piano & drones”. The album contains seven reflective sonic excursions in which Bruno’s delicate piano playing beautifuly compliments the fluid, airy soundscapes of Mr Grassow. The outcome is dreamy and totally relaxing, a nice means to sooth the mind and make it wander. Those who love the ambient works of Brian Eno and Harold Budd should make sure to get a copy of this well produced and composed album. by Bert Strolemberg - Sonicimmersion - Netherlands 2008 Beautiful, beautiful, soft, elegant piano melodies and subtle, enveloping drones. Ambessence piano and drones sets a new level of blissful dreaminess. Hazy, gossamer breathing strains with the lightest of touches hang weightless, shapeless as if the very air itself has been transformed into to music. Sometimes the underlying sonic textures are so transparent they might simply be environmental recordings, a thickening of emptiness. From within come the most exquisitely delicate piano lines you might imagine, the most sensitive of fragile forms, muted phrases and dulcet progressions that seem to have all the time in the world in which to unfurl - each fresh piece as beguiling, as graceful as the last. The balance between melody and ambient space is expertly worked so that you never quite feel that you are listening to 'tunes' as such, yet the gradual, spacious unfolding of these melancholy arrangements has you captivated - pulled along like a fallen leaf on a stream. ARTWORK The album cover features
a photograph by Dianne Owen of what appear to be Anton Gormley's
Another Place figures from the Mersey Estuary. Sculpted sentinels
stand upright gazing through waves of digital mists - serene, dignified,
bathed in grey - attentive, absorbed. This image recurs throughout
the package in varied form. OVERALL Released on Ad21 on the
date of the label's 10th anniversary, this latest release sees Argentinean
Bruno Sanfilippo in collaboration with the prolific German drone
and overtone musician Mathias Grassow. The seven tracks vary from
just over six minutes through to just short of fifteen - a total
of one hour, one minute and fifty seconds of pure escape. In honour of the tenth anniversary of ad21music, label head Bruno Sanfilippo has released "Ambessence Piano and Drones", a collaboration with Mathias Grassow. Blending together drones and piano work, this disc is a wonderful summation of the label's sound, serving well as both a celebration for existing fans and an introduction to ad21music for a new audience. "Ambessence Piano and Drones 1" opens the disc, weaving Sanfilippo's beautiful piano work throughout the course of a steady drone supplied by Grassow. Bruno's piano has a subtle charm here, displaying an emotional nature that I've come to associate with his work. From the start it's clear that this is an excellent pairing, the two working well together to blend musical ideals and shape them into something new. "Ambessence Piano and Drones 2" features a more drone based feel, the piano still very apparent but acting more as a counterpoint to the sound of the drone. As it rises and falls in strength and volume, the drone develops a more natural tone, the sound of wind or the tides, some sort of powerful force that holds sway over all others. A particularly dark and beautiful track. In "Ambessence Piano and Drones 3" the piano takes centre stage again, a mournful melody played overtop a low drone. It's a stunningly beautiful piece, a heartbreaking melody accompanied by a dark and dreary mechanical tone that somehow brings to mind a dark machine overtaking the countryside. Around the five minute mark, the piano is dropped from the track and the drone shifts slightly, reversed sounds sprinkled throughout the soundspace leading us to the end. A very stirring and evocative work that's surely one of my favorites on the disc. A repeating piano loop opens up "Ambessence Piano and Drones 4", layers of melodic piano weaving in and around themselves. Occasionally a low tone rises up through the sound, but for the most part the soundfield is filled with a tapestry of piano sounds rising and falling beautifully throughout the track, enveloping and encircling the listener in quite beautiful ways. "Ambessence Piano and Drones 5" starts quietly with a slow drone that builds up from nothing until it reaches a steady state of being. Sanfilippo's piano blends in seamlessly, providing sparse melodies that fit in perfectly with the proceedings. A delicate, fragile and very very wonderful work. There's a certain regal sound to
the drone that opens "Ambessence Piano and Drones 6",
A percolating whirl of sounds opens
"Ambessence Piano and Drones 7", alternating ascending
and descending arpeggios to form a backdrop to a sparse melody.
There's an uplifting quality to the track, a sense of hope and possibility
and of course that's always a good way to end things. I've been a fan of ad21music's catalog
for some now, and have very much enjoyed all of the work I've heard
from them in the past. "Ambessence Piano and Drones" is
another excellent release from the label, a release that I'm sure
fans of both artists will appreciate very much. |
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