I was born on September 1965 in Buenos Aires.
My interest in music became clear since I was very little: there was a "Pleyel" piano at home and I used to spend hours playing it.
Since I was seven till eleven, I had different professors of music. When I got to my 20´s, I decided to improve the technique on the piano.
I met Patricio Migliazzo, who became my teacher for about three years and was already an audacious experimental composer;
he prepared me for the final exam to get my degree as a Music Professor in the Galvani Conservatory on 1988 [Buenos Aires]

I also took guitar classes with Mario Nielsen. He taught me what I wanted to know: the basic aspects of instruments.
By that time, I used to listen to the antique music [from Monteverdi to Erik Satie], Wendy Carlos, Vangelis, Peter Gabriel, Brian Eno,
Laurie Anderson, and things of the sort. It was then that I felt attracted to the programming of synthesizers and I decided to create my own studio at home. My first keyboard was a "Siel"; though it was a rudimentary model.

At the late 1980s, I studied programming sampler and synthesizer, and some audio aspects with Jorge Haro.
Later on, I took a course on music composition applied to theatre, cinema, ballet and audio visual media in Arte11 Institute.
In 1991, I composed my first album Sons of the Light, this work was later released by EPSA Music and then distributed in Argentina
and some other South American countries.

Sons of the Light was presented at the 'XXI Fiesta Nacional de la Nieve', a concert at Cerro Catedral, [Patagonia], where I shared stage
with Lito Vitale Quinteto, as in other occasions.
As time went by, I searched for new sounds and experimented every electronic sound device that could have been plugged...
I composed the second work; The New Kingdom in 1995.

Three years later, I created ad21music, a label exclusively designed for the presentations of my solo and collaborative projects.
Then, I released Solemnis; and simultaneously my two previous productions.
In June 2000, Suite Patagonia was released; it was a tribute to the Patagonia, in which I used indigenous instruments, aboriginal chants
and sounds from the southern fauna.
I think I’ve always been exposed to a great variety of musical influences, especially since I moved to Barcelona in the year 2000,
when I started a close artistic collaboration with Max Corbacho. My friend Max joined the initiative ad21music on 2003.

Neuronium Records released Visualia CD on October 2003.
In July 2004, ad21music released Indalo, a collaboration work with Max Corbacho. In September 2004, ad21music released Ad libitum.
In July 2005 Neuronium Records released Anthology Essence 91 04. This album compiles the finest recordings made from 1991 through 2004.

July 2006 ad21music released InTRO CD, with a collaboration of Alio Die [Stefano Musso] in one track.
Some works are available as digital download at the most important stores such as MusicZeit iTunes, Amazon, eMusic, among others.
During the last years, I amcomposing music commended for different kind of films for cinema, and I've performed live & multimedia events at
different stages and festivals. Live performances usually consist of performing improvisations/ variations on piano, midi keybds & samples,
laptop, a while video art is projected behind him.

May 2007 ad21music released Piano Textures. March 2008; Ambessence piano & drones; a collaboration work with German
musician Mathias Grassow. April 2009; Auralspace, and November; ad21music released Piano Textures 2, 10th solo album.

8 April 2010 CROMO [piano & drones]; Is a second collaborative work by Bruno Sanfilippo + Mathias Grassow

The CDs are distributed by Viajero Inmovil, Amatista Music [Argentina], Animamusic, Diskpol [Spain], Databloem [The Netherlands],
Musea Records [France], Little Universe [U.K], Cue Records [Germany], Doppelganger Records [Japan], Xavier Record [Japan],
Pingthings [Canada], Faria Records [Russia], Amazon and CDBaby [U.S]